Author Archives: Thom Wright Art

The “Jazz Combo” Series, Part II

Monotypes Part 2, The “Jazz Combo” Series By Thom Wright 2020 Continuing from my earlier post on “The Jazz Series”, started in 2018, I continued making a series of 50 monotypes that year.  Most of them I kept and framed, and in this post, I describe my second of three groups of prints, those madeContinue reading “The “Jazz Combo” Series, Part II”

On Experimental Silk Screen Printmaking

Back in 2002 I was taking an advanced printmaking class at CSULB. There was a different method/technique to learn every one or two weeks. Students were expected to define their own approach and theme for each of them. For the silk-screen printmaking assignment, I chose to do a rather simple mask-and-template cutouts approach first. TheContinue reading “On Experimental Silk Screen Printmaking”

On Representational Figurative Painting

By Thom Wright 2020 A Western art tradition for over 500 years, representational figure painting continues to be taught and practiced today.  In my art education I spent about ten years taking classes to draw and paint the figure.  After doing undergrad required art courses part time for four years at Cal State U LongContinue reading “On Representational Figurative Painting”

On Mixed Media Collage Painting

By Thom Wright  2020 One of the many paths towards abstract painting begins with watercolor and paper collage.  In my first twenty years as a landscape watercolor painter, I had read about many other painters working this way, and I experimented with it as well.  The salient requirement here is to make the added piecesContinue reading “On Mixed Media Collage Painting”

On Figurative Painting

For years I studied the figure, in many life drawing classes especially. While I did learn proportion, I could not transfer that experience to painting the figure. Painting is different from drawing, where it’s brushes, not charcoal or pencil, and color versus greys. My better drawings tend to be expressionistic, and that’s the direction thatContinue reading “On Figurative Painting”